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Happy Saturday everybody!
Here’s a little throwback for today’s #.
# or in this case, #.

This game is SOOOO MUCH EASIER when you can simply fly (or flutter) over the road and river!

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Screen of 1980’s arcade game Frogger with 8-bit butterfly wings added to the frogs.
 
I'm surprised and relieved at how quickly I got up to speed on # and # along with resolving the autotrace issue.

One other thing I discovered in my search is just how goddamn many hack-ass, skanky autotrace utilities there are out there. JEEzus, there's so much crap. Inkscape turned out to be the best of the bunch for that.

...but don't even get me started on Vectornator.
 
If, like me, you're an old Photoshop/Illustrator ninja and Adobe refugee who's digging # & # but missing "autotrace", then # takes care of that.

Mind you, I'm still less than impressed with Inkscape's creative/production environment, but it does autotrace like a boss.

For that reason alone, I keep a copy of it around. I find "Brightness Cutoff" works best for B&W line art...
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MARTINI TIME, CONTINUED:
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"Zero G, And I Feel Fine!"
...in which your friendly local raging anarcho-communist cartoonist sharpens up his chops in new graphic software by rendering his take on a piece of classic Americana.
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Latest'n'Greatest:
"It's Martini Time!"
# # # # #

Setting up the new Mini and sorting out the Great Monitor Mystery was actually the fun, easy part; the real work started when it came time to start learning the software that would be replacing Adobe Creative Suite after 30+ years as an Illustrator and Photoshop ninja...

http://sinkers.org/stage/?p=3385

@Curator
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@Curator
Day 3, or 4, maybe: obstacles overcome, mysteries solved, minor nitpicky things figured out, practice art rocked, new software-learning process clipping along like a boss # # #
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